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Tales of Heritage and Well-being. The Digital Appointment at the University of Catania from 11 to 13 February 2021
The first meeting organized by the newborn CHAIN—Cultural Heritage Interdisciplinary Academic Network, founded by professors and PhD students in Sciences of Cultural Heritage and Production at the University of Catania, will consist of three days of meetings and debates, in Italian and English, entirely online. Culture and COVID-19: changes and impacts on human relations and socio-cultural mechanisms in times of Pandemic. The conference is free of charge. To participate in the conference sessions, simply register on the website: https://www.chain-conference.com CATANIA, 31 JANUARY 2021. During the three days of the Well-Being and Cultural Heritage conference, more than fifty scholars, professors, experts and practitioners from all over the world (Austria, China, Germany, Greece, Italy, United Kingdom, Russia, Spain and the United States) will animate an interdisciplinary dialogue to reflect on traditions, places and communities; to narrate the role and identity of tangible and intangible heritage in the digital age; to highlight the performative value of cultural institutions (e.g. archives, libraries, archaeological sites, etc.) and the expressive and cathartic power of arts and culture; to recognize, value and manage the different impacts (social, health, economic, etc.) of the cultural sector and its management systems for achieving conscious, inclusive and sustainable development goals (SDGs 2030). The macro-themes of the conference (Memory, Perception and Research-Actions) will be introduced by: Christian Greco, director of the Egyptian Museum in Turin, with a focus on memory and material culture (11 February); historian and media theorist Peppino Ortoleva who will speak on the individual, environmental and media appropriation of cultural heritage (12 February); and Pier Luigi Sacco, professor of cultural economics at IULM University, who will contribute to reflect on the foundations of culture as a sociobiological element of welfare (13 February). The conference theme has been picked out months before the outbreak of the COVID-19 pandemic, which has allowed a rediscovery and affirmation of heritage and culture as virtuous and fundamental elements for maintaining strong human relations in times of social distancing. Evidence shows, for example, that cultural participation has contributed to the psychological well-being of communities, reducing isolation. The CHAIN network—supported by a board of professors Maria Rosa De Luca, Pietro Militello, Anna Mignosa, Stefania Rimini and Romilda Rizzo—envisages the exchange of ideas and projects between universities, research centers, businesses, associations, bodies and professionals in the cultural sector. Meetings, conferences and workshops will be organized over the next few years. “We are currently working on the final preparations for the first ambitious step of this project,” have declared the young members of the CHAIN Team—Thea Messina, Stefano Russo, Giuseppe Sanfratello and Giovanna Santaera—“and we hope that the growing collaboration and involvement of operators and experts from all over the world will give continuity over time to the initiative, which, like heritage, inherits perspectives from the past and assigns us the task to work on the heritage to be passed on to the future generations.” Additional information is available at https://www.chain-conference.com/ 03/03/2022 -
Tales of Heritage and Well-being. The Digital Appointment at the University of Catania from 11 to 13 February 2021
The first meeting organized by the newborn CHAIN—Cultural Heritage Interdisciplinary Academic Network, founded by professors and PhD students in Sciences of Cultural Heritage and Production at the University of Catania, will consist of three days of meetings and debates, in Italian and English, entirely online. Culture and COVID-19: changes and impacts on human relations and socio-cultural mechanisms in times of Pandemic. The conference is free of charge. To participate in the conference sessions, simply register on the website: https://www.chain-conference.com CATANIA, 31 JANUARY 2021. During the three days of the Well-Being and Cultural Heritage conference, more than fifty scholars, professors, experts and practitioners from all over the world (Austria, China, Germany, Greece, Italy, United Kingdom, Russia, Spain and the United States) will animate an interdisciplinary dialogue to reflect on traditions, places and communities; to narrate the role and identity of tangible and intangible heritage in the digital age; to highlight the performative value of cultural institutions (e.g. archives, libraries, archaeological sites, etc.) and the expressive and cathartic power of arts and culture; to recognize, value and manage the different impacts (social, health, economic, etc.) of the cultural sector and its management systems for achieving conscious, inclusive and sustainable development goals (SDGs 2030). The macro-themes of the conference (Memory, Perception and Research-Actions) will be introduced by: Christian Greco, director of the Egyptian Museum in Turin, with a focus on memory and material culture (11 February); historian and media theorist Peppino Ortoleva who will speak on the individual, environmental and media appropriation of cultural heritage (12 February); and Pier Luigi Sacco, professor of cultural economics at IULM University, who will contribute to reflect on the foundations of culture as a sociobiological element of welfare (13 February). The conference theme has been picked out months before the outbreak of the COVID-19 pandemic, which has allowed a rediscovery and affirmation of heritage and culture as virtuous and fundamental elements for maintaining strong human relations in times of social distancing. Evidence shows, for example, that cultural participation has contributed to the psychological well-being of communities, reducing isolation. The CHAIN network—supported by a board of professors Maria Rosa De Luca, Pietro Militello, Anna Mignosa, Stefania Rimini and Romilda Rizzo—envisages the exchange of ideas and projects between universities, research centers, businesses, associations, bodies and professionals in the cultural sector. Meetings, conferences and workshops will be organized over the next few years. “We are currently working on the final preparations for the first ambitious step of this project,” have declared the young members of the CHAIN Team—Thea Messina, Stefano Russo, Giuseppe Sanfratello and Giovanna Santaera—“and we hope that the growing collaboration and involvement of operators and experts from all over the world will give continuity over time to the initiative, which, like heritage, inherits perspectives from the past and assigns us the task to work on the heritage to be passed on to the future generations.” Additional information is available at https://www.chain-conference.com/ 03/03/2022 -
Festival for Building Resilience
This year, 2021, is the Year of Creative Economy for Sustainable Development. banglanatak dot com, headquartered in Kolkata and specializing in culture and development, was supported by the British Council to hold the Ripples Festival—Reveling in the Rarh (https://ripplesfestival.com/) between 15 and 17 January 2021. The Ripples Festival promoted an interesting model of integrating heritage and place-making and develop responsible tourism where the local communities are positively impacted. Santiniketan at Bolpur, embodying the first Asian Nobel Laureate Rabindranath Tagore’s vision of universalism and heritage sensitive development, is a popular tourist destination. The Ripples Festival created opportunities for people to interact directly with the folk artists and craftspersons living in the villages in and around Bolpur. It offered a rich experience of art, craft, beautiful landscape of river and red soil, along with exchanges of perspectives and ideas for building a resilient and creative future. Baul songs are inscribed on the UNESCO Representative List of Heritage of Humanity. They propound the philosophy of searching within and universal brotherhood to attain the divine. In the festival, the Bauls of Bolpur, Ilambazar and Joydev Kenduli, performed and shared their philosophy. Women held workshops and exhibitions on making Kantha embroidery—a quilting tradition of recycling old clothes and beatifying embroidery with simple run stitches. Craftspersons who make intricate crafts from the spongy white stem of the Shola plant held workshops. A theater festival, Tribute to Shakespeare, explored telling the timeless stories using traditional folk drama forms. The festival also reached out to art lovers through online components. The rural artists enjoyed their first opportunity of sharing their art form and village on a global platform. Videos and live interactions provided a unique experience to people connecting online. The webinars were held on the themes of Heritage and Festivals, Heritage and Creative Economy, and Heritage Resilience. The speakers were from India and the UK with extensive experience in theater, music, craft, and art as well as multicultural collaboration and exchange. They included Simon Broughton, Chief Editor of the prestigious Songlines magazine; designer, Amber Khokar; artist-entrepreneur, Ali Pretty; Dr. Joseph Lo with extensive experience in the world of craft; theater exponent, Parnab Mukherjee; founder of Tapantar, Kallol Bhattacharya, along with Dr. Debanjan Chakrabati and Jonathan Kennedy from the British Council. The webinars have helped in creating global awareness on the art forms and gathering international perspectives on key needs for building resilient creative economy. Different speakers stressed the need to look at festivals and heritage as integral components to fostering inclusive and sustainable development. The festival highlighted the importance of cultural collaboration and exchange for rejuvenating art forms and creating new markets and audiences. It empowered rural artists with new digital skills and highlighted technology’s power in bringing the world closer with online participants. Ripples Festival video: https://youtu.be/CGdfuuAgYNI 03/03/2022
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Mongol-Wild Birdfalcon
The Eagle Dance is a Mongolian folk dance expressing the movements of a white eagle flying across the sky. Dancers raise one leg and flap their arms, imitating eagles flapping their wings. They also perform powerful movements to dynamic music. The basic move of raising both arms while moving the shoulders up and down originates from the Mongolian Biyelgee dance. The white eagle is known to be the totem bird of Genghis Khan, founder of the Mongol Empire. The Eagle Dance represents the bravery of 13th century Mongolian warriors, and is a permanent fixture in the repertoire performed at major national events. Characteristics: ∙Dance mimicking the movements of animals Performed by Mongolian National Song and Dance Academic Ensemble Directed by Tseden-Ish Altangerel Choreopraphed by Davaakhuu Altangerel -
Traditional technique of preparing the dairy products
" Mongolian traditional food is adjusted to the condition of the nomadic way of life. It is divided into milk or white products, meat or red products, and vegetable or green products. During summer and autumns, Mongols prefer to consume various different dairy products from milk of five livestock animals. Dairy products are generally produced by boiling, fermenting, distilling, brewing, extracting, separating or drying. Traditional food is dairy products, meat and green food or grain. Mongols do “Airag” from the mare’s milk, and do milk skim, youghurt, aaruul (oblong), with and orange eezgii, tsagaan tos (derived from the skim), tsorom by milk from sheep, goat and khoormog and aaruul from camel milk. Additionally, smoking, drying and preserving the meat from goat, cow and camel for making borts and shuuz. In addition, khorkhog, boodog, buuz and khuushuur and various different meals are made from sheep, goat and meat from hunting. " -
Visitors partaking in archery
Art Council of Mongolia, Culture Naadam Project -
Circular breathing technique of the Limbe performance
The Limbe is a side-blown wind instrument, mostly made of hard wood or bamboo. It is considered as one of the valuable traditional musical instruments among Mongolians for its unique technique and characteristics such as hidden tune associated with circular breathing, and its performing techniques of skilful and delicate movements of fingers and tongue. The "Circular breathing" is a great achievement of nomadic Mongolians derived from their creativity, result of the exploration and necessity of their daily life. The origin and development of circular breathing is closely bound up with the skills and knowledge of ancient craftsmen or metalsmiths who specialized in gold and silver. Early Mongolian craftsmen used circular breathing techniques for crafting various decorative and ornamental items including valuable jewelleries.
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Machlay Tuul
Comparative study on Korean & Mongolian ICH inventory Making Process -
Foundation for the Protection of Natural and Cultural Heritage
Mongolia’s Foundation for the Protection of Natural and Cultural Heritage works for not only the safeguarding of ICH but also the integration of the tangible and intangible cultural heritage ofnMongolia in the moment of modernization. Efforts for viability in such a changed environment are well dissolved here. -
INSTITUTE OF LANGUAGE AND LITERATURE OF MONGOLIAN ACADEMY OF SCIENCES
The Institute of Language and Literature (ILL) at the Mongolian Academy of Sciences is a scientific organization that manages academic researches on philology, literature, and folklore in Mongolia. The ILL was founded as the Institute of Sutra and Script in 1921. The name subsequently institute changed to the Cabinet of Philology in 1930, to the Centre for the Study of Philology and Literature in 1957, and finally to the Institute of Language and Literature in 1961 when the Mongolian Academy of Sciences was established. nSince 1962, the ILL at the Mongolian Academy of Sciences has been implementing fieldwork on folk heritage and local dialects one to three times per year. Sometimes folk tellers and singers have been invited to make audio and video recordings. As a result of these activities, the ILL has built a treasury of audio recordings and manuscripts of Mongolian cultural heritage. For instance, this treasury contains tales, heroic epics, long and short songs, and wise and metaphoric words. Also our researchers have recorded ethnic legends and stories about rituals and customs and festivals. About 1100 hours of audio recordings have been preserved in this fund. We are also preserving 451 units of handwritten books and manuscripts. -
Urtnasan Norov
Dr. Urtnasa Norov received his tertiary education at the State Pedagogical University in Moscow (1972-1977) and later graduated with a doctoral degree from the Academy of Social Science in Moscow (1984-1987). He served as Director General of the Culture and Art Department in the Ministry of Culture of Mongolia (1993-1997), served in the Department of External Cooperation (1997-2001), and held the title of Secretary General of the National Commission for UNESCO (2001-2011). His research fields include culture, cultural heritage, civilization, and so on. He is currently serving as President of the Mongolian National Committee for the International Council on Monuments and Sites (ICOMOS).