Баримт бичиг
Тодорхойлолт :
The culture of the Central Asian steppes expresses itself vividly in the lifestyle of traditional nomadic practices. Mongolian culture has been in practice in the nomadic life and the traditions surrounding the nomad’s home (ger). And it is present in religious celebrations, national festivals, art and crafts, music and dance, language and literature, which form the backbone of Mongolian intangible cultural heritage of Mongolia. Mongolia is filled with valuable cultural properties and intangible cultural heritage of humanity that have been kept or practiced for thousands of years.Ger, Mongolian Traditional Dwelling
The traditional architecture of the Mongols differed strongly from that of the settled peoples of Asia and other continents. Centuries ago, there the ger, also known as a yurt, appeared. It still offers shelter to nomads in particular places in Central Asia. Its development and fundamental principles are determined by the specific features of the way of life of Mongol tribes, which made it necessary to evolve a light and collapsible structure to be used as a dwelling or for public functions.
Mongolian Language and Literature
Mongolian is the language of most of the Mongolian population and inner Mongolia. By origin, Mongolian is one of the Altaic family of languages, and the history of the Mongolian language is long and complicated. Significant literary work of early Mongolia includes The Secret History of the Mongols, which was published in 1228).
Mongolian Religion and Beliefs
The Mongols have practiced several religions, of which Shamanism and Buddhism were the most common. The faith in Mongolia is Buddhism, though the state and religion were separated during the socialist period, but with the transition to the parliamentary republic in the 1990s, there has been a general revival of faiths across the country
Mongolian Art and Crafts
Mongolian arts and crafts have been passed down across generations from the Paleolithic times to today, leaving behind deep impressions on all facets of life and conscious, aesthetic, and philosophical thinking. Highly developed Mongolian arts and crafts come from the second millennium BCE. The works included sculptured heads of wild animals with exaggerated features. Other items include knives, daggers, and other items of practical and religious use.
Mongolian Music and Dance
Music is an integral part of Mongolian culture. Among Mongolia’s unique contributions to the world’s musical culture are the long songs, overtone singing, and morin khuur (the horse-headed fiddle). The music of Mongolia is also rich with varieties related to the various ethnic groups of the country. Among the most popular forms of modern music in Mongolia are Western pop and rock genres and the mass songs written by contemporary authors in the form of folk songs.
Horse Culture of Mongolia
It is famously known that horses play a large role in the Mongols’ daily and national lives. Common sayings are, “A Mongol without a horse is like a bird without wings,” and “Mongols are born on horseback” these are arguably true words. Even today, horse-based culture is still practiced by nomadic Mongolians.
Visit https://www.toursmongolia.com/tours for additional information about Mongolian culture.
Photo 1 : Prairie meadow grass inner Mongolia traditional clothing © Batzaya Choijiljav
Photo 2~7 : © Batzaya Choijiljav
Түлхүүр үг :
folk dance customs traditions spiritual practices folk song symbols mobile homes traditional knoledge rituals jockey craftsmanship traditional architecture musical instruments string wind instruments percussion brand household items blacksmith horse camel bones livestock musical instrument human throat sound music song nomadism whistle traditional costumes accessories decorations felt mat rug socks bag cover leather wrestling wrestling costumes hat jacket briefs boots stockings bindings silk textiles bow arrow bamboo horn sinew handicrafts wood furniture woodworking sewing stitching quilting stitch embroideries folk painting ornaments patterns illustrations needlework silks textile applique statuette sculpture papier-mache corals folk music instruments insrument making craftsmen tools equipments animal husbandry cart wheels ritual religion healing book book-making metal crafts steel engraving perforating drying polishing dance tribe poetry melody movements languageМэдээллийн эх сурвалж :
холбоотой материалууд
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Traditional traditional music of the Tsuur
Тайзны урлаг
Монгол -
Making of horse brand
Уламжлалт гар урлалын ур чадвар
Монгол -
A horsemanМонгол
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The art of steel carving
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional music of the Morin khuur
Тайзны урлаг
Монгол -
Traditional craftsmanship of Ger and its rituals
Уламжлалт гар урлалын ур чадвар
Монгол -
The new ger warming feast
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
Traditional art of wood engraving
Уламжлалт гар урлалын ур чадвар
Монгол -
Mongolian Traditional Music of the Tsuur
Тайзны урлаг
Монгол -
Mongolian language
Амны уламжлал, хэллэг, тэр дундаа хэл нь биет бус соёлын өвийн хэрэгсэл болох
Монгол -
Mongolian traditional Tsam dance
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
"Yohor" Buryat's singing round dance
Тайзны урлаг
Монгол -
Traditional art of Khuumei (throat music)
Тайзны урлаг
Монгол -
The new ger warming feast
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
Mongolian language
Амны уламжлал, хэллэг, тэр дундаа хэл нь биет бус соёлын өвийн хэрэгсэл болох
Монгол -
The art of steel carving
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional traditional music of the Tsuur
Тайзны урлаг
Монгол -
Folk knowledge and tradition of recognizing and training swift horses
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
Traditional traditional music of the Tsuur
Тайзны урлаг
Монгол -
Traditional music of the Morin khuur
Тайзны урлаг
Монгол -
Mongolian art of singing Khoomei
Тайзны урлаг
Монгол -
Naadam (wrestling, horserace, archery)Монгол
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"Yohor" Buryat's singing round dance
Тайзны урлаг
Монгол -
Mongol Biyelgee, Mongolian traditional folk dance
Тайзны урлаг
Монгол -
The new ger warming feast
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
Traditional art of wood engraving
Уламжлалт гар урлалын ур чадвар
Монгол -
Horse stampМонгол
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Traditional knowledge of choosing, training and racing the swift horses
Байгаль ба орчлон ертөнцийн талаархи мэдлэг, дадал зуршил
Монгол -
Traditional traditional music of the Tsuur
Тайзны урлаг
Монгол -
Mongolian traditional Tsam dance
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
Traditional music of the Morin khuur
Тайзны урлаг
Монгол -
Sculpture and papier-mache crafts
Уламжлалт гар урлалын ур чадвар
Монгол -
Mongol Biyelgee, Mongolian traditional folk dance
Тайзны урлаг
Монгол -
Mongol Biyelgee, Mongolian traditional folk dance
Тайзны урлаг
Монгол -
Traditional art of needlework
Уламжлалт гар урлалын ур чадвар
Монгол -
The new ger warming feast
Нийгмийн зан үйл, зан үйл, баярын арга хэмжээ
Монгол -
Traditional art of wood engraving
Уламжлалт гар урлалын ур чадвар
Монгол -
Race-horse medalМонгол
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"Yohor" Buryat's singing round dance
Тайзны урлаг
Монгол -
Traditional craftsmanship of folk music instruments
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional craftsmanship of Mongol ger
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional art of book-making
Уламжлалт гар урлалын ур чадвар
Монгол -
The art of steel carving
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional craftsmanship of Mongol ger
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional craftsmanship of folk music instruments
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional art of folk painting
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional music of the Morin khuur
Тайзны урлаг
Монгол -
Making of horse brand
Уламжлалт гар урлалын ур чадвар
Монгол -
Traditional art of needlework
Уламжлалт гар урлалын ур чадвар
Монгол -
Bii bielgee-Mongolian traditional folk dance
Тайзны урлаг
Монгол -
Traditional knowledge of choosing, training and racing the swift horses
Байгаль ба орчлон ертөнцийн талаархи мэдлэг, дадал зуршил
Монгол -
Mongolian art of singing Khoomei
Тайзны урлаг
Монгол
Видео
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With Wide Bottom, Brown Horse, Khangal Tashaa Khar Kheer Moritoi Khaan Tsergiin Uvgun
Ажиллах цаг : Монгол
Монгол
1905
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A Foal of Khotgoidin, Khotgoidiin Unaga (tovshuur), Black Horse Gunan, Gunan Khar (nyasluur), and a Blue Mountain, Tsenkherlen Kharagdakh Uul tsokhiluur)
Ажиллах цаг : Монгол
Монгол
1905
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Ode from a Victorious Horse, Turuu Morinii Tsol
Ажиллах цаг : Монгол
Монгол
1905
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A Swift Horse, Khurdan Morinii Khatiraa (khulsan khuur and tumor khuur)
Ажиллах цаг : Монгол
Монгол
1905
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Ode by a Horse Bayan Khodoodnii, Bayan Khodoodnii Morinii Tsol
Ажиллах цаг : Монгол
Монгол
1905
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A Walk of a Horse, Morinii Yavdal (morin khuur melody)
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Dayan Deerkhiin, Dayan Deerkhiin Duudlaga
Ажиллах цаг : Монгол
Монгол
1905
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A Slender and Beautiful Brown Horse, Nariin Saikhan Kheer
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Chandaganii, Chandaganii Tamlaga
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Shaman, Buugiin Tamlaga
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Khuren Ongonii, Khuren Ongonii Tamlaga
Ажиллах цаг : Монгол
Монгол
1905
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Light Reddish Brown Swift Tsevtsger Horse, Tsevtsger Khurdan Sharga
Ажиллах цаг : Монгол
Монгол
1905
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A Fast Light Reddish Brown Swift Horse, Argamag Khurdan Sharga
Ажиллах цаг : Монгол
Монгол
1905
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Pampered Brown Horse, Erkh Zeerd Mori
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Khariin Zugiin, Khariin Zugiin Buugiin Duudlaga
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Khar Serkh Seterlej Avsan Ongod, Khar Serkh Seterlej Avsan Ongod Duudakh Tamlaga
Ажиллах цаг : Монгол
Монгол
1905
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Setrin Dance Music of Khukh Morinii, Khukh Morinii Setriin Tamlaga
Ажиллах цаг : Монгол
Монгол
1905
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Khar Ongodiin Dance Music of Shaman, Buugiin Khar Ongodiin Duudlaga
Ажиллах цаг : Монгол
Монгол
1905
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Dance Music of Buyan Khishing Dallah, Buyan Khishig Dallah Tamlaga
Ажиллах цаг : Монгол
Монгол
1905
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Handbook on ICH Safeguarding Systems in the Asia-Pacific Region - Abstracts from Thirty-Two Field Survey Reports on ICH Safeguarding Efforts-MongoliaThe main contents of this publication are reports from thirty-two nations collected by ICHCAP from 2009 to 2015 as part of its annual projects to collect information on intangible cultural heritage safeguarding in the Asia-Pacific region. We have also compiled information from other reports and conference materials collected by ICHCAP to present key data, such as national inventories and information on related organizations, in an easily accessible format.Year : 2016
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MAKING AN INVENTORY OF MONGOLIAN ICHMongols have practiced pastoral nomadism for centuries within the vast steppe that stretches throughout Central Asia, which has led to the creation of a nomadic civilization, a distinct civilization accepted worldwide. Within the context of this residing landscape, the main features of spirituality, and oral and intangible cultures practiced by Mongols have been crafted and determined.Year : 2009
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MONGOLIA: A multi-faceted programme to promote local heritageKhan-Uul Complex School is located in Kherlen Soum (district) of Dornod Province, which has four ethnic groups: the Khalkh, the Buryat, the Barga and the Uzemchin. For years, the school has been very active in promoting the intangible cultural heritage of the region and beyond, both through curricular and extra-curricular activities. It has developed several policies to support this process, such as incorporating ICH activities into the school annual work plan, adjusting teachers’ workloads to provide time for such activities, and creating suitable environments to foster student learningYear : 2020
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MongoliaIn 2014, the Mongolian Law on the Protection of the Cultural Heritage was amended with 13 chapters and 61 articles. The main purposes and functions of this law is to regulate any relations associated with investigation, registration, research, classification, evaluation, conservation, protection, restoration, revitalization, transmission, ownership, usage, and promotion of cultural heritage. Article 22. Registration of cultural heritage 22.4 The information of intangible cultural heritage and its bearers shall be registered in the cultural heritage registration and information database 24.1 The information of the cultural heritage registration and information database can be used by citizens and legal entities, with the permission of an authorized entity. It is prohibited to infringe the legitimately given interest of owner and possessor while using the information. 24.2 The information of cultural heritage registered in the cultural heritage registration and information database can be used to make comprehensive promotional products for the public. Article 34. Rights and duties of bearers of intangible cultural heritage 34.2. Bearers of intangible cultural heritage shall have the following duties: 34.2.1 to teach students and transmit intangible cultural heritage to the next generations 34 2.2. to disseminate and promote intangible cultural heritage; 34.2.3 to provide assistance to record information and conduct registration of intangible cultural heritage. Article 39. Transmission of intangible cultural heritage 39.1. The state central administrative organization in charge of cultural affairs and Governors of all levels shall be responsible to preserve, protect transmit, promote, and research intangible cultural heritage, and its bearers in association with ethnologicalYear : 2018
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Current Safeguarding Status and Challenges of Shaman Heritage in MongoliaThe Mongolia is rich in Shamanic heritage, including both physical artifacts, ritual sites, places of cultural or historical interest and protected landscapes (‘tangible’ heritage) together with rituals, ceremonies, folklore, music, handicrafts, and traditional knowledge ( known as ‘intangible’ heritage). Under Mongolian shamanism we can understand complete science of nomadic philosophy, TNGRI worship, Sacred of peak mountains ritual, parallel psychology of Heaven, earth, fire and human life and supernatural consciousness of Nomadic. On that account we could understand Shamanism is reliable source of Nomadic culture. The Mongols, who themselves worshiped Heaven but had respect for all other religions. The Shamans are merely respected as priests of Heaven./TNGRI/ In Shamanism; the world is alive full of spirits. The plants, animals, rocks, mountains and water, all have a soul. These spirits must be respected to be in the balance with all of them. Balance is an important thing to keep harmony within you, the community, and the environment. When things get out of balance, there are harmful effects. This is when we need a shaman for help. Shamanisms believe in a concept called buyan (physical power) that is very close to the belief of karma (fate). The shaman loses buyan (buyanhishig) by violating taboos, when he has no respect for spirits or our ancestors.Year : 2013
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03 Guardians of Mongolian Heritage : Arts Council of MongoliaArts Council of Mongolia In 2002, business, civic, and arts leaders of Mongolia formed the Arts Council of Mongolia (ACM), a non-governmental organization with the mission to promote the sustainable development of Mongolian arts and culture as well as the preservation of various cultural heritage. ACM is one of the first NGOs of its kind in the country. Its activities include supporting Mongolian art institutions and individual artists through programs for promoting international exchanges, raising public interest and awareness about Mongolian arts and culture, building the capacity of artists and administrators in Mongolian art institutions, and initiating art education and cultural heritage programs through advocating a close collaboration between private and public sectors.Year : 2016
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Role of the Tiger in Mongolian Oral TraditionAccording to the Mongolian astrological calendar, as well as in other Asian countries, this year is the Year of the Tiger. As well as a year, the third of the twelve animals of lunar astrology is also marked with the day of the tiger (the day of the conquest of the tiger), the month of the tiger (the first month of spring), and the tiger hours of the day (3.40 a.m. to 5.40 a.m.). Mongols teach that, “If you do not get up with tiger [i.e., during the tiger hours], then the day will be late. If you do not study in young age, then growing up will be late.” The tiger is also one of the eight cardinal directions on the map of Mongolia, representing northeast. This corresponds with the octagonal shape of a yurt, on which homeowners place the appropriate symbols depending on the direction of each face.Year : 2022
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MONGOLIA: Some Thoughts on Multinational Intangible Cultural Heritage NominationsThe fundamental purpose of the 2003 Convention is to contribute to peacebuilding, mutual understanding, respect, dialogue among different people and communities and to empower and enrich the cultural diversity of humanity. The concept and nature of ICH are linked with the expression of valuable knowledge and skills transmitted among ethnic communities and groups, in a word, with the spiritual memory of the people and societies, which transcend geographical spaces and political borders. As ICH is often shared by communities on the territories of more than one state, the multinational inscriptions of such a shared heritage on the UNESCO List of ICH constitute an important mechanism for promoting international cooperation. The Committee, therefore, decided (7.COM 14) to establish an online platform through which State Parties can announce their intentions to nominate elements and other State Parties may learn new opportunities for cooperation in establishing multinational nominations. Mongolia holds the multinational nomination with China on the ‘Urtiin duu, Mongolian traditional folk long song’ (2008) and with 18 States Parties on the ‘Falconry, a living human heritage’ which are inscribed on the Representative List of the ICH of HumanityYear : 2021
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The National Program for ICH Safeguarding in MongoliaBy the 68th resolution of the government of Mongolia, the National Program for Safeguarding Intangible Cultural Heritage was approved on 13 February 2019. This national program will be implemented between 2019 and 2023, and it has six parts. 1. Justifications 2. Objectives, purposes, and duration 3. Activities to be implemented within the framework of the national program 4. Evaluation criteria for implementing the national program 5. Financing the national program 6. Monitoring and evaluating the implementation of national program Several articles associated with protecting and safeguarding traditional culture, its transmission, development, research, and dissemination were reflected on the Constitution of Mongolia, the National Security Concept of Mongolia, the Concept of Mongolia’s Foreign Policy, the Concept of Sustainable Development of Mongolia, the State Policy on Culture, the Law of Culture, the Law on Protection of Cultural Heritage, and the Law of Mongolian Language. The Mongolian Law on Protecting Cultural Heritage was amended in 2014 by the State Great Khural for regulating relations associated with the fifteen ICH classifications, the rights and duties of ICH practitioners, an organization of transmission activities and so on. Between 2005 and 2016, the government of Mongolia approved and implemented national programs for ICH elements, including morin khuur, traditional long song, and Mongol khoomei, which were inscribed on the Representative List of the Intangible Cultural Heritage of Humanity, and Mongolian traditional folk dance bii biyelgee, Mongol epic, and Mongol tsuur, which were inscribed on the List of the Intangible Cultural Heritage in Need of Urgent Safeguarding. The NCCH has taken part in implementing these programs. As a result, these national programs have had positive changes in safeguarding ICH, such as identifying ICH practitioners from elders, organizing apprenticeship training, promoting traditional culture and cultural heritage abroad and nationwide, transmitting ICH to younger generations, building pride in ICH, and self-researching ICH. The national programs were implemented only for the folk performing arts domain—one of the five UNESCO domains of ICH—but were not implemented for the other domains.It is a demanding task to implement ways to increase and improve research and safeguarding efforts for ICH in every domain represented in nomadic culture as well as to promote ICH abroad and nationally, and, at the same time, also increase the social and economic status of ICH practitioners while improving their skill and opening possibilities to introduce the cultural industry as a form of a tourist product. The main objective of this national program is to identify ICH elements of ethnic groups in Mongolia and to research, register, document safeguard, transmit, and disseminate the ICH elements abroad and nationally. Within the program’s framework, the following objectives were put forward to be implemented: -To improve the policy and legal environment of ICH and to intensify the implementation of the UNESCO 2003 Convention for Safeguarding of Intangible Cultural Heritage -To improve research, documentation, and activities of ICH registration and information database in accordance with international standards -To organize and conduct activities associated with raising the general public’s awareness about ICH and disseminating ICH abroad and nationally based on intersectoral cooperation -To increase the ICH specialists’ capacity and support ICH practitioners Photo : Sambuugiin Pürevjav of Altai Khairkhan (an overtone singing ensemble from Mongolia) playing a morin khuur near Centre Georges Pompidou in 2005 CCBY 2.5 Eric PouhierYear : 2019
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The craftsmanship of Mongol bootsThe Mongol boots are made up of vamps, leather bootlegs, hide soles, clips and welts. The Mongol boots are ideal for horse riding, they are spacious, and the upturned tips prevent one from being caught in the stirrups. Mongolian boots are named for the number of the ornaments on it, starting mostly from eight and extending up to thirty-two. The craftsmanship of Mongol boots is a complex art of hand-making workmanship of craftsmen skilled with their ancestral inheritance, through already-set and special technique, style and design.Country : Монгол
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Traditional performance technique of folk music instruments and their repertoireNomadic Mongols created variety forms of music instruments, developed performance techniques and a rich repertoire over a long span of historic period. In terms of sound, Mongolian national music instruments fall into the categories of strings, wind and percussion. Bowed and plucked stringed instruments include khuur (fiddle), ekil (two-stringed wooden fiddle), khuuchir (four-stringed instrument), bivleg, tovshuur (two-stringed lute), yatga (zither), yanchir or yochin (dulcimer), shudarga (three-stringed lute) and biba (lute). Wind instruments include limbe (side-blown flute), tsoor (panpipe flute), tsuur (three-holed vertical flute), bishgüür (shawm) and ever büree (horn-trumpet). Brass instruments, which are often used in celebrations and for calling and cheering, include the ikh büree (the long trumpet) and tsordon büree (small trumpet). A variety of percussion instruments, such as khengereg (big drum), tsan (cymbals), bömbör (drum), kharanga (gong), denshig (miniature cymbals), khonkh (bells), damar (double-headed hourglass drum) and duudaram (gong-chimes), were used during wars and hunting as well as during shamanic and Buddhist rituals and practices.Country : Монгол
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Traditional craftsmanship of zodog and shuudag (wrestling costume)One of the uniqueness of Mongolian wrestling is wrestling costumes which consist of a hat, zodog (jacket), shuudag (briefs), boots, stockings and boots’ bindings. Zodog (jacket) and shuudag (brief) are a traditional costume of Mongolian wrestlers. The costimes made of silk, textiles and stitched with pliable and strong threads afford a wrestler the ability to hold his opponent during the wrestling bout. Zodog and shuudag adapt themselves to the shape of wrestler’s brawny body. This tight costume greatly affords a wrestler’s comfort to move as well. Only a few specialized masters craft the zodog and shuudag by their hands.Country : Монгол
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Mongolian traditional Tsam danceTsam is a complex cultural, religious and healing ritual consisting of dance movements, tantric prayers and meditation. Originating in India and Tibet, it has been enriched with diverse Mongol cultural elements, including heroic figures of folk myths and epics, elements of shamanism and archaic religious phenomena. Tsam dance is a Buddhist monastic tradition, its form differing according to the deity and traditions of the particular monastery or locality, but it has become a staged performance beginning in 1811.Country : Монгол
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Traditional craftsmanship of the Mongol Ger and its associated customsFor thousands of years, nomadic herders of Mongolia roamed across the country-side from season to season. Dry, windy areas close to rivers are best for summers while areas away from river-bank wind and close to mountains or hills are best for winter stays. In the country where pasture always was and still is a public domain, the herders moved freely to the best locations for the season. With this lifestyle of freedom of movement and pastoral animal husbandry was invented the national dwelling called the ‘Mongol ger’. It is a round structure of easily dismantle-able walls, polls and a round ceiling covered with canvas and felt, tightened with ropes. The ger was designed to be light enough for Mongolian nomads to carry, flexible enough to fold-up, pack and assemble, sturdy enough for multiple dismantling and assembling as well as easy for regulating temperatures within. Over many centuries the mongol ger was modified into a perfectly aerodynamic structure which can withstand Mongolia's fierce spring winds ranging up to 18-20 meter/sec. It can be dismantled in half an hour and assembled in an hour by a small family with 2-3 adults. The Mongol ger has many varieties. The most common “5-wall ger” consists of five lattice segments forming a circular wall, a door, a toono (round window ceiling), two bagana (columns that hold the toono), and 88 uni(long poles that connect wall lattices and toono which forms the roof of the ger). There are also several accessories attached to the ger.Country : Монгол
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Traditional craftsmanship of the bow and arrowThere are many countries in the world that craft bow and arrow. But the tradition of technique of making a bow with bamboo or birch medial part, outer back part made of sinew of camel, bovince and equine animals, with inner part made of horn of wild buffalo or ibex is being kept only in Mongolia. Currently in Mongolia, there are 5-6 different forms of archeries practiced including Khalkh, Buriad, Uriankhai, Morin and Sarampai archery. As a consequence, the need to revitalize and develop the adequate craftsmanship of bow and arrow has risen for each of the above archeries.Country : Монгол
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Traditional music of the Morin khuurMongols have traditionally shown a great respect for the horse, honoring it in their national standards and symbols (flags and emblems) and in their folk songs. Morin khuur clearly belongs to this symbolic tradition. Morin khuur, so named for the ornamental horse-head carving at the top of its neck, is a unique two-stringed musical instrument developed by the nomadic Mongols. The strings of both the bow and fiddle are made from the hair of a horse’s tail. Most significantly, there is a tradition of playing the morin khuur at all ritual and ceremonial events. No discussion of the morin khuur would be complete without having considered the folk ‘long song’, for which it provides the principal accompaniment. Besides Bii Biylgee and folk long song, many other folk artistic forms such as Ülger (tales), Tuuli (epic), Yörööl (benediction), Magtaal (ode) and others can always be performed with morin khuur.Country : Монгол
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Sculpture and papier-mache craftsStatuette crafts are made by moulding a particular material into a cast and then preparing in a variety of ways, including baking, glazing and smoking. The special cast is made based on the traditions of stone and bone engraving crafts. Papier-mache is created by pasting layers of light paper on a special wooden or earth cast. Tsaasan shuumal or papier-mache is made with the ingemel technique, which is the making of reliefs on objects. Ingemel or relief has the following four types: a) khotgor ingemel (flute relief), b) tövgör ingemel (semi-fillet relief), c) tovgor ingemel (fillet relief) and d) büten tovoimol (sculpture-like relief).Shüren shuumal is created by putting a cover of big and small pieces of corals on the papier-mache.Country : Монгол
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Making of horse brandHorse branding is a one of the most respected household items made by a balcksmith. Mongolian horse-brand are shaped into symbols that are associated with the tribes or ethnic groups to which the nomadic herder belongs. The culture of the brand of nomadic Mongol was written on the historical sources and evidences over 4000 and 5000 years ago. Every brand is different and never duplicated. The livestock brand is classified into 3 different categories as brand on hair, brand on surface of skin, brand on body. Mongols brand the horses and camels, and mostly do branding to young horses (in age of foul) in autumn and do branding feast within families. Horse brand is very important marks to herders to recognize their animals, therefore herders say this word “Altan biyend aman gerch, aduu mald tamga gerch” as “Tongue is expression of our body, and the brand is the evidence of horse and livestock”.Country : Монгол
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"Yohor" Buryat's singing round danceYohor, singing round dance of the Buryat ethnic group in Mongolia, the Buryat Republic of the Russian Federation and the People’s Republic of China, is a complex phenomenon of poetry, melody, and movement. Eldest woman starts the Yohor dance. Yohor consists of three parts, in the first part, people start appealing other people to do Yohor. They say words “Yohoroo khatariya! khatarysh”. It means let’s do the Yohor dance. These signal words remind to people it’s time to dance Yohor. In the second part, people stand in circle formation holding hands and singing in a low pitch, start moving foot steps forward; or sideward steps; or backward jumps in circle path with arms gestures as moves up, down and sideward. In combination with changes of melody rhythm, the dance movements are changed into stamping, hopping, leaping, and steps are replaced by jumps. In the end of the dance, people say the word “hatariya hatarysh”.Country : Монгол
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Bone craftsIt is a very old tradition to use the bones of domesticated and wild animals is directly correlated to the cultural and ethical practices of the nomadic Mongolians. Bone crafts have been practiced since the time that the nomads used various parts of their animals, such as ribs, shins, radiuses, pelvises, kneecaps, ankles, nails, teeth, spines, skulls, and chins, as tools. Later, they started using tusks, canines, and horns, particularly those of strong animals, which had symbolic as well as decorative meaning. With the development of bone crafts, various types of bone games have appeared. Ankle bones, for example, are used for a variety of traditional games and toys.Country : Монгол
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Craftsmanship of hemmed appliquéZeegt naamal or hemmed appliqué is a complex of diverse needlework techniques and is one of the monumental forms of needlework in Mongolia. To create hemmed appliqué, two black-and-white versions of design are prepared, while one version is cut out in detail and the other is painted with different colours. Carefully marking the details such as borders, lines and ornaments on the draft, the various silks and textiles are prepared with different sizes, colours and features of the pattern draft and following with a starch applied to each part. The cut-out draft is pasted with folded edges on the material, employing careful attention and meticulous hands. The hemmed appliqué is a creation of a meticulous team work of embroiderers each of them mastered in different techniques.Country : Монгол
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Traditional art of book-makingAs the book is one of the most revered items among the nomadic Mongolians, there are numerous wonderful books created in our history. The book illustrations were created by employing various techniques of ancient tradition including inscriptions written with an ink, natural paints, gold, silver and gemstones, book covers, pages and titles decorated with paintings, engraved with gold or silver metals, and in some cases the covers were done with application of double-embroidery stitches.Country : Монгол
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The art of steel carvingThe traditional technique of steel engraving, perforating, drying and polishing with both hot and cold processions is one of the wonders created by nomadic Mongols. The hearth place of the origin of steel carving is believed was at the Dalaichoinkhor Van khoshuu (smaller territorial unit) of Sain Noyon Khan aimag (province). The Dalaichoinkhor style steel crafts of deities, teapots, incense burners, stirrups, knives, and other accessory of household items are famous for their design and makes.Country : Монгол
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Traditional art of folk paintingOne of the major forms of Mongolian fine arts that originated in the hoary antiquity is an independent form of folk painting. Starting from the folk ornaments and patterns, the folk paintings reflect the most complex illustrations with living and natural contents. Nomadic Mongols’ universal view, their everyday duties, dreams and concern for happiness are commonly depicted in the folk paintings. Tsagaan Jamba, B.Sharav, Jügder and U.Yadamsüren are the main representatives of the renowned folk painters.Country : Монгол
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Traditional craftsmanship of Mongol costumeMongolians do believe that their traditional costumes represent and express the essence of the state existence. According to the symbolic meaning, we do say as the hat represents the rising state, the deel represents the harmonic state, the belt represents succeeded state, the boot represents the support of stay. The traditional costumes, accessories and decorations of various ethnic groups of Mongolia illustrate their origins and historic background, specific features of culture, practices and aesthetic manners. The distinct characteristics of different ethnic groups can be seen through their hats, men’s deel (traditional garment) and their accessories or cuffs, lapel, shoulder of women’s deel, hair dressings, decorations and boots.Country : Монгол
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Traditional art of wood engravingWood engraving has two main types: half engraving and whole engraving. There is a template of engraving that is called tsoi in Mongolia. Whole engraving is used for making a variety of items, such as the horse currycomb, chest, tiger-legged table, bed, and a cast of traditional cookie, as well as an arrow, pieces of a chess game, toys, and religious items and idols. Animals such as lion, tiger, dragon, and elephant, all of which symbolize strength and power, are engraved on the wooden doors of gers, while religious symbols and ornaments are engraved on the doors of temples and monasteries. Carving a pair of intertwined dragons on top of poles in gers and temples is common.Country : Монгол
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Mongol Biyelgee, Mongolian traditional folk danceMongolian traditional folk dance “Bii Biyelgee” is an outstanding form among traditional performing arts of Mongolia, and unique and distinguished art expression which has embodied and originated from the nomadic living style of Mongols. Bii Biyelgee expresses the customs, traditions and spiritual practices through dancing elements, and its movements are typically confided to small space inside the Nomad’s dwelling-ger. Biyelgee is performed while half sitting or cross-legged sitting, coupled with fist and hand opening and waving, stiff and swift movements of chest and shoulders, shrugging and shaking them, crossing legs, steps and walks, as well as flexible body movements involved in prevalence. In doing so, biyelgee performers imitate the expressions of their lifestyle, household activities, courage, love, prides and livestock to the accompaniment of morin khuur, ikel khuur, tovshuur, tsuur, coupled with ethnic costumes.Country : Монгол
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Mongolian art of singing KhoomeiKhöömei is a wonder of culture created by nomadic Mongols, a unique phenomenon of Mongolian traditional music, an ancient art, the highest form of independent art of speaking organs and artistic discovery contributed by the Mongols to the music art of the world. Mongol khöömei lies in producing two or more pitches simultaneously, of which one is a fundamental pitch from the chest and the other is a higher pitch resonating to the hard palate or whistling khöömei. The melodies of khöömei are the music that only Mongol khöömei can describe as well as the sound of nature, mountain, water, wind, animal calls, correlation between nature and human and the inner world of human soul. khöömei is divided into two basic categories of “Kharkhiraa” or bass, fundamental pitch and “Isgeree or shingen” or “whistling or high pitch”.Country : Монгол
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Marzai and giingoo, the songs of the horse-jockeysThis melody is the specific part of ritual that dedicated to the swift horse and jockey for relaxing before and after the horse race. Mostly, this melody is singing at the before the race and after race and also in the long-distance training of swift horse. The tradition of singing a giingoo (jockey songs) before race or during the title recitation meant to encourage and calm the horses. The giingoo (zeengoo) and marzai share similar features with urtiin duu songs as wide-ranging vocal melodies and rhythms. The marzai is a well-wishing religious spell of Odserjmaa deity for well-being of jockey and a horse.Country : Монгол
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Mongolian languageMongolian language belongs to the Altaic language family. It is an ancient and independent language with rich history of thousands of years which has been transmitted through generations to ours. Over 20 ethnic groups in Mongolia are divided in to 2 different language groups, for instance over 90 % of these 20 ethnic groups are speak in Khalkh, Bayad, Barga, Buriad, Dariganga, Darkhad, Dorvod, Zakhchin, Myagngad, Oold, Torguud, Uzemchin, Khamnigan. Kharchin, Khotgoid, Eljigen, Sartuul and Tsakhar dialects of Mongolian langugage group. The Kazakh, Uriankhai, Tuva and Khoton are classified into Turkic language group. The marvel of the Mongolian language is its phonemic, morphological and syntactic harmony, its flexibility, and its unusually rich lexicology. Mongols have created innumerable oral and intangible expressions in Mongolian language which manifested in the forms of folk literature, folklore, traditional performing arts, customs and practices.Country : Монгол
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Traditional technique of making ox-cartThe largest from the tools and equipments for animal husbandry crafted by Mongols is a cart with wheels. Our predecessors have produced the cart with wheels from the old ages. As stated in the “Secret History of Mongols”, Mongols have produced and used a variety of carts such as mukhlag tereg (cart with booth), khagaatai tereg, öljigtei tereg, tömör tereg (metal cart), tsuurgatai tereg (cart with socket) and tenkhlegtei tereg (cart with axle). Only a handful of skilled master artisans crafted these varieties of carts in different sizes.Country : Монгол
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Traditional craftsmanship of Mongol gerCraftsmanship of the Mongol Ger is a traditional enterprise involving the labour of a household or group, with men carving the wood and both women and men engaged in painting, sewing and stitching, and felt-making. Wooden frames comprise the crown, roof poles, wall lattices, door, two pillars and furniture produced by separate carpenters specialized for each. Traditional craftsmanship of Mongol ger is indeed reflects the nomadic culture, national identity which stands for the name card of Mongols to the world. Traditional craftsmanship is taught to the younger generations, principally through mentoring by a senior craftsperson. Dismantling and reassembling the Ger are always family operations, with children learning by watching their elders. Cutting and preparing sheep’s wool, making felt, stitching canvas and preparing woodwork are usually communal endeavours. As a traditional dwelling, the Mongol Ger plays an important social and cultural role for nomadic families and its makers are highly respected.Country : Монгол
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Traditional art of needleworkThe unforgettable cultural heritage of the nomadic Mongols which has long been developed, transmitted and inherited to our generation is the art of needlework. The art of needlework is a result of the great deal of meticulous labor, delicacy, patience, and perception of intellect, hands and eyes at the same time. Traditional art of needlework consists of general techniques such as sewing, stitching, quilting, sewing with a forward stitch, single or double stitch and hemming stitch, and more than 20 forms of decorative embroideries including chain stitch, double-embroidery stitch, herring-bone stitch, satin stitch and etc.Country : Монгол
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Traditional music of the TsuurMongol Tsuur is a blending of sounds created simultaneously by both the musical instrument and the human throat. Tsuur has an inseparable connection to the Uriankhai Mongolians of the Altai Region, and remains an integral part of their daily life. Its origins lie in an ancient practice of worshipping nature and its guardian spirits by emulating natural sounds. Tsuur is a vertical pipe-shaped wooden wind instrument with three fingerholes. Simultaneously touching the mouthpiece of the pipe with one’s front teeth and applying one’s throat produces a unique timbre comprising a clear and gentle whistling sound and a drone. Tsuur is traditionally played to ensure success for hunts, for benign weather, as a benediction for safe journeys or for weddings and other festivities. The music reflects one’s inner feelings when travelling alone, connects a human to nature, and serves as a performing art.Country : Монгол
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Traditional craftsmanship of folk music instrumentsMongolian craftsmen of folk music instruments craft Morin khuur (horse-head fiddle), ekil (two-stringed wooden fiddle), khuuchir (four-stringed instrument), tsuur (three-holed vertical flute), tovshuur (two-stringed lute), limbe (side-blown flute), yatga (zither), yanchir (dulcimer), shudarga (three-stringed lute) and others with specific features and characteristics in conformity with their locality and historic background. Over a span of time, the styles of these folk instruments were developed and improved in quality and designs. The selection and procession of materials are crucial importance to crafting the folk instruments. The traditional craftsmanship of folk music instruments is an outstanding outcome of centuries long research and experiment of craftsmen and musicians.Country : Монгол
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Traditional felt craftsMongolian nomads have come to now and still producing various felt crafts such as ger canvas, felt-door of ger, floor cover, mat, saddle-cloth, saddle-rug, winter and summer socks, stockings, bag for new born lambs, bag for summoning prosperity, bag for cup, felt-boots, and so on. It is vital and practical in that the felt is used as a covering for the ger which can withstand the harsh weather conditions of Mongolia’s landscape and as material for devjee (mattress) olbog (cushions) or gifts for guests. Nowadays, various felt-made household needs, traditional felt crafts and souvenirs are being produced widely and becoming popular among foreign tourists.Country : Монгол
