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Tales of Heritage and Well-being. The Digital Appointment at the University of Catania from 11 to 13 February 2021
The first meeting organized by the newborn CHAIN—Cultural Heritage Interdisciplinary Academic Network, founded by professors and PhD students in Sciences of Cultural Heritage and Production at the University of Catania, will consist of three days of meetings and debates, in Italian and English, entirely online. Culture and COVID-19: changes and impacts on human relations and socio-cultural mechanisms in times of Pandemic. The conference is free of charge. To participate in the conference sessions, simply register on the website: https://www.chain-conference.com CATANIA, 31 JANUARY 2021. During the three days of the Well-Being and Cultural Heritage conference, more than fifty scholars, professors, experts and practitioners from all over the world (Austria, China, Germany, Greece, Italy, United Kingdom, Russia, Spain and the United States) will animate an interdisciplinary dialogue to reflect on traditions, places and communities; to narrate the role and identity of tangible and intangible heritage in the digital age; to highlight the performative value of cultural institutions (e.g. archives, libraries, archaeological sites, etc.) and the expressive and cathartic power of arts and culture; to recognize, value and manage the different impacts (social, health, economic, etc.) of the cultural sector and its management systems for achieving conscious, inclusive and sustainable development goals (SDGs 2030). The macro-themes of the conference (Memory, Perception and Research-Actions) will be introduced by: Christian Greco, director of the Egyptian Museum in Turin, with a focus on memory and material culture (11 February); historian and media theorist Peppino Ortoleva who will speak on the individual, environmental and media appropriation of cultural heritage (12 February); and Pier Luigi Sacco, professor of cultural economics at IULM University, who will contribute to reflect on the foundations of culture as a sociobiological element of welfare (13 February). The conference theme has been picked out months before the outbreak of the COVID-19 pandemic, which has allowed a rediscovery and affirmation of heritage and culture as virtuous and fundamental elements for maintaining strong human relations in times of social distancing. Evidence shows, for example, that cultural participation has contributed to the psychological well-being of communities, reducing isolation. The CHAIN network—supported by a board of professors Maria Rosa De Luca, Pietro Militello, Anna Mignosa, Stefania Rimini and Romilda Rizzo—envisages the exchange of ideas and projects between universities, research centers, businesses, associations, bodies and professionals in the cultural sector. Meetings, conferences and workshops will be organized over the next few years. “We are currently working on the final preparations for the first ambitious step of this project,” have declared the young members of the CHAIN Team—Thea Messina, Stefano Russo, Giuseppe Sanfratello and Giovanna Santaera—“and we hope that the growing collaboration and involvement of operators and experts from all over the world will give continuity over time to the initiative, which, like heritage, inherits perspectives from the past and assigns us the task to work on the heritage to be passed on to the future generations.” Additional information is available at https://www.chain-conference.com/ 03/03/2022 -
Tales of Heritage and Well-being. The Digital Appointment at the University of Catania from 11 to 13 February 2021
The first meeting organized by the newborn CHAIN—Cultural Heritage Interdisciplinary Academic Network, founded by professors and PhD students in Sciences of Cultural Heritage and Production at the University of Catania, will consist of three days of meetings and debates, in Italian and English, entirely online. Culture and COVID-19: changes and impacts on human relations and socio-cultural mechanisms in times of Pandemic. The conference is free of charge. To participate in the conference sessions, simply register on the website: https://www.chain-conference.com CATANIA, 31 JANUARY 2021. During the three days of the Well-Being and Cultural Heritage conference, more than fifty scholars, professors, experts and practitioners from all over the world (Austria, China, Germany, Greece, Italy, United Kingdom, Russia, Spain and the United States) will animate an interdisciplinary dialogue to reflect on traditions, places and communities; to narrate the role and identity of tangible and intangible heritage in the digital age; to highlight the performative value of cultural institutions (e.g. archives, libraries, archaeological sites, etc.) and the expressive and cathartic power of arts and culture; to recognize, value and manage the different impacts (social, health, economic, etc.) of the cultural sector and its management systems for achieving conscious, inclusive and sustainable development goals (SDGs 2030). The macro-themes of the conference (Memory, Perception and Research-Actions) will be introduced by: Christian Greco, director of the Egyptian Museum in Turin, with a focus on memory and material culture (11 February); historian and media theorist Peppino Ortoleva who will speak on the individual, environmental and media appropriation of cultural heritage (12 February); and Pier Luigi Sacco, professor of cultural economics at IULM University, who will contribute to reflect on the foundations of culture as a sociobiological element of welfare (13 February). The conference theme has been picked out months before the outbreak of the COVID-19 pandemic, which has allowed a rediscovery and affirmation of heritage and culture as virtuous and fundamental elements for maintaining strong human relations in times of social distancing. Evidence shows, for example, that cultural participation has contributed to the psychological well-being of communities, reducing isolation. The CHAIN network—supported by a board of professors Maria Rosa De Luca, Pietro Militello, Anna Mignosa, Stefania Rimini and Romilda Rizzo—envisages the exchange of ideas and projects between universities, research centers, businesses, associations, bodies and professionals in the cultural sector. Meetings, conferences and workshops will be organized over the next few years. “We are currently working on the final preparations for the first ambitious step of this project,” have declared the young members of the CHAIN Team—Thea Messina, Stefano Russo, Giuseppe Sanfratello and Giovanna Santaera—“and we hope that the growing collaboration and involvement of operators and experts from all over the world will give continuity over time to the initiative, which, like heritage, inherits perspectives from the past and assigns us the task to work on the heritage to be passed on to the future generations.” Additional information is available at https://www.chain-conference.com/ 03/03/2022 -
Festival for Building Resilience
This year, 2021, is the Year of Creative Economy for Sustainable Development. banglanatak dot com, headquartered in Kolkata and specializing in culture and development, was supported by the British Council to hold the Ripples Festival—Reveling in the Rarh (https://ripplesfestival.com/) between 15 and 17 January 2021. The Ripples Festival promoted an interesting model of integrating heritage and place-making and develop responsible tourism where the local communities are positively impacted. Santiniketan at Bolpur, embodying the first Asian Nobel Laureate Rabindranath Tagore’s vision of universalism and heritage sensitive development, is a popular tourist destination. The Ripples Festival created opportunities for people to interact directly with the folk artists and craftspersons living in the villages in and around Bolpur. It offered a rich experience of art, craft, beautiful landscape of river and red soil, along with exchanges of perspectives and ideas for building a resilient and creative future. Baul songs are inscribed on the UNESCO Representative List of Heritage of Humanity. They propound the philosophy of searching within and universal brotherhood to attain the divine. In the festival, the Bauls of Bolpur, Ilambazar and Joydev Kenduli, performed and shared their philosophy. Women held workshops and exhibitions on making Kantha embroidery—a quilting tradition of recycling old clothes and beatifying embroidery with simple run stitches. Craftspersons who make intricate crafts from the spongy white stem of the Shola plant held workshops. A theater festival, Tribute to Shakespeare, explored telling the timeless stories using traditional folk drama forms. The festival also reached out to art lovers through online components. The rural artists enjoyed their first opportunity of sharing their art form and village on a global platform. Videos and live interactions provided a unique experience to people connecting online. The webinars were held on the themes of Heritage and Festivals, Heritage and Creative Economy, and Heritage Resilience. The speakers were from India and the UK with extensive experience in theater, music, craft, and art as well as multicultural collaboration and exchange. They included Simon Broughton, Chief Editor of the prestigious Songlines magazine; designer, Amber Khokar; artist-entrepreneur, Ali Pretty; Dr. Joseph Lo with extensive experience in the world of craft; theater exponent, Parnab Mukherjee; founder of Tapantar, Kallol Bhattacharya, along with Dr. Debanjan Chakrabati and Jonathan Kennedy from the British Council. The webinars have helped in creating global awareness on the art forms and gathering international perspectives on key needs for building resilient creative economy. Different speakers stressed the need to look at festivals and heritage as integral components to fostering inclusive and sustainable development. The festival highlighted the importance of cultural collaboration and exchange for rejuvenating art forms and creating new markets and audiences. It empowered rural artists with new digital skills and highlighted technology’s power in bringing the world closer with online participants. Ripples Festival video: https://youtu.be/CGdfuuAgYNI 03/03/2022
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Traditional Craftsmanship of the Mongolian Ger and Associated Customs
Traditional Craftsmanship of the Mongolian Ger and Associated Customs (Representative List of the Intangible Cultural Heritage of Humanity, 2013) The Mongolian ger is composed of wooden frames, canvas, and ropes. The wooden frames comprise the crown, roof poles, wall lattices, door, and two pillars; each wooden element is produced by separate, specialized carpenters. The traditional craftsmanship of the Mongol ger reflects the nomadic culture and national identity of Mongolia. -
Mongolia : Shaman Heritage
Shamanism is one of the oldest forms of religion in Mongolia. The main rite of shamanism is to worship and sacrifice the heaven. Shamanism venerates the blue sky and green earth. In shamanism, there are total 99 deities, including 55 deities (Tenger) of the west who are well disposed towards humans and 44 deities (Tenger) of the east who cause all misfortunes. The shamanic rites seek to invoke the ninety-nine deities, to whom offerings are made. There are also the mountain-rites, cairn-rites, and tree-rites and spring-rites, all of which are related to the traditions and rituals of worshipping the earth as Mother. Together with them, there are the fire–rites, ancestor-rites, saddle-thongs rites, destiny-rites, and horse-rites. -
Closing Ceremony
Since the beginning of 1950s, the Institute of Language and Literature at the Academy of Sciences in Mongolia has initiated sending the survey teams, 1-3 times a year, for researching and gathering data on oral literature and local dialectics. The initiation of above activities has set the groundwork for official establishment of a new archive with written documents and magnetic audio tapes, utilization for research purposes and the maintenance. Along with sending the survey teams, individuals/bearers were invited to the Institute from the local areas and their repertoire were recorded on magnetic tapes. As a result, a rich repertoire of the epics, folk tales, folk songs, benedictions, odes, riddles, proverbs and other main elements of Mongolian oral heritage in their local dialectics and characteristics were succeeded to be recorded and collected at once as never before. The language and dialects that have already lost their distinctiveness or absorbed into the central one, now already the extinct forms of oral literary expressions and heritage are remained and preserved on magnetic tapes. This fact is raising the historic and academic values more for those original forms which were preserved on the magnetic tapes. Due to the fact that the most of the magnetic tapes being kept at the Institute are more than 60 years old, the storage period of some of the tapes has already been expired. Also, the un-proper storage conditions have caused some tapes to get dried, clung to one another or fractured. Due to above reasons, the inevitable need has risen for restoration and digitization of these magnetic tapes as well as improvement of the storage conditions and environment. Accordingly, since 2008, some efforts have been made towards restoration and digitization of these superannuated magnetic tapes within the internal capability and capacity of the Institute. Although, due to the lack of capable human resources, finance and proper tools and technical equipment, these efforts to restore and digitalize faced several obstacles and have shown un-successive results. In 2009, the authorities of the Institute have introduced to the Foundation for the Protection of Natural and Cultural Heritage their request to cooperate. Since, the organizations have started to collaborate on the possibilities to restore and digitalize the superannuated magnetic tapes. Accordingly, the Foundation for the Protection of Natural and Cultural Heritage proposed to ICHCAP to continue the Joint Project and take measures for restoration, digitization of the superannuated magnetic tapes, and distribution and dissemination among general public. -
Folk Long Songs
Folk Long Songs Mongolian folk songs are divided in three different categories, such as long songs, short songs and the authors’ songs. Folk songs are shorter than other forms of expressions with average durations of one to five minutes, but there is a high volume of them. Thus, restoring, categorising, and digitising folk songs were the most time-consuming tasks compared to others. Within the framework of the project, just under forty-eight hours of songs were restored and digitised.
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Urtnasan Norov
Dr. Urtnasa Norov received his tertiary education at the State Pedagogical University in Moscow (1972-1977) and later graduated with a doctoral degree from the Academy of Social Science in Moscow (1984-1987). He served as Director General of the Culture and Art Department in the Ministry of Culture of Mongolia (1993-1997), served in the Department of External Cooperation (1997-2001), and held the title of Secretary General of the National Commission for UNESCO (2001-2011). His research fields include culture, cultural heritage, civilization, and so on. He is currently serving as President of the Mongolian National Committee for the International Council on Monuments and Sites (ICOMOS). -
Foundation for the Protection of Natural and Cultural Heritage
Mongolia’s Foundation for the Protection of Natural and Cultural Heritage works for not only the safeguarding of ICH but also the integration of the tangible and intangible cultural heritage ofnMongolia in the moment of modernization. Efforts for viability in such a changed environment are well dissolved here. -
Buryat Ethnic Group
Yohor, a singing round dance of the Buryat ethnic group in Mongolia, the Buryat Republic of the Russian Federation, and the People’s Republic of China (Shineheen Buryats), is a complex synchronized expression of poetry, melody, and movement. Yohor is performed in the traditional manner with vocal singing and the modern way with playback music. Elders generally opt for the traditional way and have rich repertoire on Yohor songs. They say that the old way of singing is very important in the traditional way of dancing Yohor and that song can also affect the way of dancing. the Yohor dance reflects a cultural uniqueness and a unity of Buryat people in three countries. Separated because of a long history and complicated political situations, Buryat people’s culture, tradition, and language changed. The Buryat language, an official dialect of Mongolian, has already been included in the category of severely endangered languages by the 2010 UNESCO Interactive Atlas of the World’s Languages in Danger. With this language loss, the number of elders who know the song narratives and old Yohor song repertoire are decreasing, and this brings the Yohor dance under the risk of disappearance as its complexity of song and movements but also of language. The annual and biennial cultural festivals, such as Altargana, Yohor, Night Yohor, and Global Yohor, show how Buryats have been trying to revive the traditional culture and art for long time. Even though, the collective memory and living experience of Buryat people is under the risk of disappearance due to rapid modernization and globalization with language loss. -
Machlay Tuul
Comparative study on Korean & Mongolian ICH inventory Making Process